The Gila Valley Temple, Part 2: The Temple Choir
One Sunday in January before Sacrament Meeting, President Gore asked if he could talk to me after the block. All through church, I had to stew about what he was going to ask me to do... if he was going to release me from my current stake calling, or call me to something else, or... I had NO IDEA why a member of the Stake Presidency wanted to talk with me and I was very nervous! When I finally was able to meet with him, he asked if I was scared, and I said a little. Then he told me this would not change my world, but it would change me life! I was very confused and a little more nervous. Then he proceeded to call me into the choir. I was humbled, honored, and more than a little amazed that he called ME to this once-in-a-lifetime choir. He asked me not to say anything to anyone (except my family), so I had to keep it quiet for many months. Of course, word got out anyway, but I tried not to perpetuate it.
I had to wait about two weeks before the first choir practice and for me to see who else I would be singing with. When the first practice finally arrived, I was really excited and very nervous. There were ten people from the Sierra Vista Stake and ten people from the St. David Stake that made up our 20 person choir. They called three sopranos, three altos, two tenors, and two basses from each stake.
From the Sierra Vista Stake:
Soprano: Kellie Braun, Marlee (Haymore) Forsberg, and me
Alto: Marnie Goulding, Debi Urkov, and MaryBeth Harper
Tenor: Rick Harper and Rick Holden
Bass: Ron Curtis and Tom Goulding
Chorister: Pam Clark
A couple weeks into the rehearsals, Bro. Holden was deployed to Iraq, so he was not able to continue with the choir. Tim Smith was called in his place. I was really happy for Tim, but devastated for Rick.
I didn't know too many from the St. David Stake. I did know a girl from 13 years ago at Eastern Arizona College (Billie [Palmer] Bright), and a man who used to live in Sierra Vista with his family in the early 90s (Bro. Kempton). That was fun to reconnect with them.
The organist was from St. David, and they also called a backup chorister from St. David and a backup organist from Sierra Vista (Genevieve Kovacs). They wanted to cover ALL their bases.
We were assigned to sing three songs: The Morning Breaks (from the choir book), Come, Oh Thou King of Kings (from the hymnal), and The Hosanna Anthem (from the choir book). We were asked to memorize these songs. We practiced every week for several months. We switched off between the Sierra Vista Stake Center and the St. David Stake Center in Pomerene. I loved going each Sunday and practicing these beautiful songs, and during the weekdays, trying to memorize the words.
Bro. George Harris from The Gila Valley was called to be over all the music at the Temple Dedication. He would travel to the four participating choirs every week to make sure everything was as it should be. He also gave us a lot of words of encouragement and words from the general temple committee. He also bore his testimony and promised us if we prepared now, we would have a pentecostal experience at the dedication. Wow! I was blown away when he said that!
We were all asked to put this choir above anything else. If there was a conflict, the choir always came first. Luckily, I didn't have too many conflicts. However, I had to make sure my UK vacation wouldn't be a problem. Kelli and I reserved this vacation way back in October before any dates surrounding the temple dedication were announced. Because of that, everyone was really supportive of me leaving and being gone for two practices. It was a little challenging to come back from vacation and get back into the swing of things, because I only had one more practice before the big dress rehearsal. I had to really focus at home to finish memorizing and perfecting the songs, but I was still not very confident with myself. I was mixing up words, accidentally singing when only the altos sang and the sopranos rested, and singing the wrong section at the wrong time during the challenging Hosanna Anthem. I was trying so hard, but it didn't seem to be coming together for me. But I prayed hard, and knew I would be blessed for my efforts.
That brings us to this weekend's events. But this post is already too long, so you can read about the dress rehearsal in my next entry:
Next Post: The Dress Rehearsal
But first, here is a little blurb from an announcement about the Temple Dedication. This part was specifically about the choirs:
Choirs are rehearsing in preparation for the Dedication and Cornerstone Ceremony. A 60-voice choir, directed by Bruce Bishop and accompanied by Ramona Lines, will perform at the Cornerstone Ceremony. Three different 20-voice choirs will perform at the Dedication Sessions, one from the Safford, Thatcher, and Pima stakes directed by Michael Bradley, accompanied by Janice Holladay; one from the Duncan and Silver City stakes directed by Larry Martin, accompanied by Marie Stailey; and one from the St. David and Sierra Vista stakes directed by Pamela Clark, accompanied by Carrie Fenn.